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Sökning: onr:cm31vr279w6m029m > Moving Tongues

Moving Tongues [Elektronisk resurs] Playing Space (for Voice, Strophonion and Video)

Publicerad: Stockholm : Stockholms konstnärliga högskola, 2018
Engelska.
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  • Bok (digitaliserad)
Sammanfattning Ämnesord
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  • Proposing a ‘multivocal practice’ (German: Praxis der Vielstimmigkeit ) in the vocal arts, the doctoral research project embodies an inclusive approach to the four core categories of the contemporary vocal art performance: the singing, speaking, extended and disembodied voice. Multivocality addresses various modes of virtuosity, all of which are informed by a multi-faceted artistic knowledge, whether experimental or experiential, technical or technological, improvisational or compositional. The project is driven by the investigation of the voice’s boundaries within the field of vocal performance art as of today. On the basis of the highly subjective approach to the vocal arts through the researcher’s own voice, the posed question is what the performance voice could be and sound like rather than just asking what it is or represents. Either by extending the potential ranges of the multi-register voice or by examining the in-between and the unknown of an interdisciplinary and interdependent approach to oral, vocal, bodily and technology-related practices, the performance not only uncovers that these idiosyncratic practices are informed by additional questions pertaining to technical issues to bridge the vocal terrains, but also unfolds what is conceived as a bountiful vocal imaginary . 

Ämnesord

Humanities and the Arts  (ssif)
Arts  (ssif)
Performing Arts  (ssif)
Humaniora och konst  (ssif)
Konst  (ssif)
Scenkonst  (ssif)
Music  (ssif)
Musik  (ssif)
Performativa och mediala praktiker, med inriktning mot film och media/koreografi/opera/scen  (uniarts)
Performative and mediated practices, with specializations in choreography/film and media/opera /performing arts  (uniarts)

Genre

government publication  (marcgt)

Indexterm och SAB-rubrik

contemporary vocal performance art
multivocality
inclusive approach to vocal performance art
extending the voice
extended vocal techniques
sampling as a practice for improvising musician
composer-performer and singer-composer
improvisation and real-time composition
gesture-controlled live electronics
custom-built musical instrument
sensor-based technology
computer-based technology voice-induced sound dance
æsthetics of uncertainty and unknown
æsthetics of the in-between vocalogy meets corporalogy meets technology
vocal materiality and liminality
multidirectional listening
expanding the field of vocal performance art
schizophonic practices
extended vocal arts
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