Sammanfattning
Ämnesord
Stäng
- Proposing a ‘multivocal practice’ (German: Praxis der Vielstimmigkeit ) in the vocal arts, the doctoral research project embodies an inclusive approach to the four core categories of the contemporary vocal art performance: the singing, speaking, extended and disembodied voice. Multivocality addresses various modes of virtuosity, all of which are informed by a multi-faceted artistic knowledge, whether experimental or experiential, technical or technological, improvisational or compositional. The project is driven by the investigation of the voice’s boundaries within the field of vocal performance art as of today. On the basis of the highly subjective approach to the vocal arts through the researcher’s own voice, the posed question is what the performance voice could be and sound like rather than just asking what it is or represents. Either by extending the potential ranges of the multi-register voice or by examining the in-between and the unknown of an interdisciplinary and interdependent approach to oral, vocal, bodily and technology-related practices, the performance not only uncovers that these idiosyncratic practices are informed by additional questions pertaining to technical issues to bridge the vocal terrains, but also unfolds what is conceived as a bountiful vocal imaginary .
Ämnesord
- Humanities and the Arts (ssif)
- Arts (ssif)
- Performing Arts (ssif)
- Humaniora och konst (ssif)
- Konst (ssif)
- Scenkonst (ssif)
- Music (ssif)
- Musik (ssif)
- Performativa och mediala praktiker, med inriktning mot film och media/koreografi/opera/scen (uniarts)
- Performative and mediated practices, with specializations in choreography/film and media/opera /performing arts (uniarts)
Genre
- government publication (marcgt)
Indexterm och SAB-rubrik
- contemporary vocal performance art
- multivocality
- inclusive approach to vocal performance art
- extending the voice
- extended vocal techniques
- sampling as a practice for improvising musician
- composer-performer and singer-composer
- improvisation and real-time composition
- gesture-controlled live electronics
- custom-built musical instrument
- sensor-based technology
- computer-based technology voice-induced sound dance
- æsthetics of uncertainty and unknown
- æsthetics of the in-between vocalogy meets corporalogy meets technology
- vocal materiality and liminality
- multidirectional listening
- expanding the field of vocal performance art
- schizophonic practices
- extended vocal arts
Inställningar
Hjälp
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